This work is
distinguished by the dignity it gives to a simple moment in the life of
humble people without a trace of the anecdotal or picturesque. The
static stance and quiet mood of the old pedlar sending bread rings (ciambella)
recalls the tragic overtones found in Louis Le Nain’s paintings of
peasants.
The painting was also
attributed to Johannes Lingelbach (1622-1674), a member of the younger
generation who continued working in Bamboccio’s style after he left Rome
|