Russia
contributed to the panoply of groaning tables,
laden with rich food and drink, in the series of late
1930s kolkhoz musicals by Ivan Pyriev – a
Stalinist version of the ‘Potemkin villages’ originally
created to disguise Russia’s rural misery from Catherine
the Great. Eisenstein would contribute an historical
dimension to this bucolic image in his Alexander
Nevsky, with its bustling Novgorod market scenes.
Sergei
Eisenstein’s 1938 film masterpiece, with music by Sergei
Prokofiev, is a unique phenomenon in film and music
history. The authentically restored version of
Prokofiev’s brilliant orchestral and vocal score,
combined with new prints of the film from the original
nitrate negative in the Moscow Film Archives,
rejuvenated dialogue and sound effects, a system for
synchronizing the orchestra and screen and newly
translated substitles reveal this work to be one of
filmmaker’s towering achievements and an extraordinary
concert experience.
This classic Sergei Eisenstein tale of 13th century
Russia is a unique film of unequalled excellence. It is
considered to be one of the greatest achievements of
Soviet and world cinema artistry. The story centers
around the tumultuous time when the Russians were
invaded by Teutonic knights on one front and Tartars on
the other. The morale of the Russian people was at its
lowest ebb until a brave and extremely wise noblemen,
Prince Nevsky, is summoned to lead his people in their
fierce struggle against the oppressors.
Eisenstein had the entire Russian army at his disposal,
and the battle scenes, complete with thousands of men,
are spectacular. His meticulous attention to detail is
unbelievably exact. Although less experimental
stylistically than his previous works, the film has what
Eisenstein himself called a "symphonic
structure" because of his great collaboration with
composer Sergei Prokofiev. The result is a patriotic
pageantry of stirring images and dramatic music,
particularly in the Battle of the Ice sequence, which
even today remains unsurpassed in the history of cinema. |